A Slow Unfolding of Space: The Photographs of Hélène Binet
Of Particle Systems and Picturesque Ontologies
Michael Ashkin – Were it not for
Known and Strange Things Pass
Gabriele Basilico – The City Inhabits Me
Joanna Piotrowska – All Our False Devices
On Politics, Photography and the Fashioned Body
stop making sense (with Henry Gorse)
Beginning and Forgetting: the work of Theo Simpson
Painting, Photography, Photographs: George Shaw’s Landscapes
Fluid Topographies: Water, Power, Myth
The Complex Business of Living: Photography, Modernism, and the Landscape of Overspill
The Feminine Awkward: Graceless Bodies and the Performance of Femininity in Fashion Photographs
The Universal Foreground: Ordinary Landscapes and Boring Photographs
Animal Eyes and Invisible Hunters
An Unmanageable Object and a Moment Apart
Prelude to a Future: Globalization and Risk in Contemporary Landscape Photography
Fashion’s Digital Body: Clothing, Embodiment and Interactivity in New Fashion Media
Uneasy bodies: Affect, Embodied Perception, and Contemporary Fashion Photography
Visible Economies, Invisible Topographies
Video Games and the Digital Sublime
Something in the Air: the Landscape Photography of John Myers
Videogames, Emotion, and the Six Senses
Digital Games and the Anamorphic Subject
The Line Between the Wall and the Floor: Affect in Contemporary Fashion Photography.
Corporealis Ergo Sum: Affective Response in Digital Games
Boredom, Repetition, Inertia: The Aesthetics of the Banal in Contemporary Photography
Scroll to top