The Deluge

Water into Fire (Meteorite)


The Prototype (Act III)


Single Surface

A Slow Unfolding of Space: The Photographs of Hélène Binet

Of Particle Systems and Picturesque Ontologies

View Cloud from Eye Position

Michael Ashkin – Were it not for

Known and Strange Things Pass

Gabriele Basilico – The City Inhabits Me

Joanna Piotrowska – All Our False Devices

On Politics, Photography and the Fashioned Body

stop making sense (with Henry Gorse)

Beginning and Forgetting: the work of Theo Simpson

All the Things in Life

Painting, Photography, Photographs: George Shaw’s Landscapes

Where the Forest Ends

Fluid Topographies: Water, Power, Myth

The Collector (words and pictures)

The Complex Business of Living: Photography, Modernism, and the Landscape of Overspill

Robert Frank (Review)

Fashion Photography: The Story in 180 Pictures

Kaja Silverman, The Miracle of Analogy, or, The History of Photography, Part I (review)

The Feminine Awkward: Graceless Bodies and the Performance of Femininity in Fashion Photographs

The Universal Foreground: Ordinary Landscapes and Boring Photographs

Photography is Miraculous (review)

Animal Eyes and Invisible Hunters

Spirit is a Bone (review)

An Unmanageable Object and a Moment Apart

Drone Aesthetics

LUCA and Unknown Fields – The Sublime

American Suburb X

Emerging Landscapes

Prelude to a Future: Globalization and Risk in Contemporary Landscape Photography

The Curated Ego: What Makes a Good Selfie?

Fashion’s Digital Body: Clothing, Embodiment and Interactivity in New Fashion Media

Uneasy bodies: Affect, Embodied Perception, and Contemporary Fashion Photography

Visible Economies, Invisible Topographies

Video Games and the Digital Sublime

Something in the Air: the Landscape Photography of John Myers

Playing for the Camera

Videogames, Emotion, and the Six Senses

Digital Games and the Anamorphic Subject

Fashion as Photograph: Viewing and Reviewing Images of Fashion

The Line Between the Wall and the Floor: Affect in Contemporary Fashion Photography.

Corporealis Ergo Sum: Affective Response in Digital Games

Boredom, Repetition, Inertia: The Aesthetics of the Banal in Contemporary Photography